 Your new post is loading...
Your new post is loading...
L’exposition Le Rêve des formes, présentée à l’occasion du vingtième anniversaire de l’école du Fresnoy, est conçue comme un paysage imaginaire, un jardin monstrueux où se cultivent des formes périssables et des surfaces en germination, des organismes protubérants et de plates silhouettes. Les artistes et chercheurs rassemblés dans Le Rêve des formes témoignent de leur rencontre avec de nouvelles possibilités de représentation, issues de découvertes scientifiques et techniques récentes, qui bouleversent notre façon de voir et de montrer. En renouvelant grâce à cela le champ du perceptible – nanotechnologies, imagerie de synthèse, scan 3D, stéréolithographie… –, ces nouvelles visualisations nous laissent présumer de géométries encore inconnues...
(Art)ScienceBLR is a public laboratory at the Srishti Institute of Art, Design and Technology for artists and designers to engage with scientific practices. Residencies, exhibitions, workshops, talks... We look at the artistic, social and political implications of technologies from computing to biotechnologies. Our work exists at the intersection of art-science and pedagogy, creating spaces of dialogue and interaction between artists, designers and scientists. Since our inception in 2009 we have focused on using DIY techniques to build low-cost laboratory equipment, so as to offer more accessible forms of engagement with the life-sciences. We also run a community electronics and BioLab which encourages students and the community to make/hack and prototype.
Our mission is to apply art and technology to create positive social impact through education, civic engagement, and public programs.
We use digital tools to create art and design projects that benefit society. We test and scale projects with high impact potential, teach digital tools to support artists and technologists, and inspire our community by promoting meaningful new work.
We apply the promise and inspiration of digital art to a broader social context. Our programs are transforming cities into creative outlets, applying technology to solve problems, and shaping how art is created and consumed in the digital era.
The Satellite Video Exchange Society (now VIVO, incorporated 1973) was the first video exchange library, and one of the earliest international video centres and Canadian artist-run centres. Its founding mandate was to facilitate international information exchange through a public video library and, by the 1980s, to provide access to video equipment, basic workshops, and publish a magazine, Video Guide, distributed internationally.
VIVO’s mandate is to directly support artists and independent community-based producers to develop, exchange, and disseminate their skills in a supportive environment through accessible services and programs. Our vision is a robust, diverse, and vibrant media arts sector: a catalyst for critical and innovative engagement with the material forms and cultural meanings of media and technology.
|
Studio de création contemporaine unique en France, Le Fresnoy nous propose de découvrir tous les ans, au sein même de l’école, un « Panorama » – scénographié ici par Christophe Boulanger – d’une cinquantaine d’œuvres cinématographiques et d’installations multimédias, conçues au cours de l’année précédente par ses étudiants résidents et professeurs intervenants. Jusqu’au 31 décembre l’école, fondée et dirigée par Alain Fleischer à Tourcoing, reste ouverte pour une monstration qui rend compte des questionnements d’artistes issus des quatre coins du monde autant que de la diversité des propositions formelles qui les sous-tendent. Quatre projets nous ont particulièrement inspirés, qu’ils relèvent d’une production interdisciplinaire et/ou d’une économie de moyens, concentrée autour de la restitution d’une parole ou d’une idée originale, faisant disparaître la technologie au profit d’une main divine… (ou d’un esprit malin)...
Urtica is devoted to transdisciplinary research and production that merge art, media, social science, and education. Urtica, an art and media research group, specialises in the development of transdisciplinary projects that merge art, media, social science, and education. The group was founded in 1999 by Violeta Vojvodić and Eduard Balaž. In their work they combine traditional artistic disciplines and ICT. Urtica’s production ranges from Internet based artworks and media actions to art objects and installations. Special focus is put on educational projects such as workshops and web applications.
Urtica was awarded the UNESCO Digital Arts Award at IAMAS Japan in 2003, and participated at numerous international festivals and exhibitions such as Ars Electronica (Linz, Austria), FILE (Sao Paolo and Rio de Janeiro, Brazil), Ogaki Biennial 2004 (IAMAS, Ogaki, Japan), Hilchot Shchenim The Israeli Center for Digital Art (Holon, Israel), “Moirés” at Kunstraum der Leuphana Universität Lüneburg (Germany), among others. Selected solo exhibitions: “Value Quest—Art of Fortune & Economy of Risk”, Salon of the Museum of Contemporary art Belgrade, Serbia (2010).
Violeta Vojvodić-Balaž and Eduard Balaž are living and working in Belgrade, Serbia.
Join The NetArtizens Project to explore, express, and debate the role of the network in our individual and collective practice as artists, scholars, educators, and citizens of the Net. You can also contribute to the NetArtizens Open Online Exhibition, an evolving showcase of works submitted between March 2 – April 2, 2015.
During March 2015, Randall Packer, convener of The Art of Networked Practice | Online Symposium, will host a month of discourse and artistic production across 3 network channels. Using any and all available network tools- software, email, browsers, apps, devices etc. - we will discuss, remix, and engage each others’ words and works in the form of utterances, files, behaviours, codes, glitch, protocols, instructions, manifestos, games, and net theories.
|
